Then, for each episode of the cartoon prepared the final color scheme. This near-final stage to transfer the finished animation in color. Created at this stage, color schemes are reference. 6. On their basis the contour stroke and fill color cartoon characters, as well as all the special effects animation.

7. Again, everything is going, but in color. Again, phase control for correct assembly levels and layers, as well as the uniformity of fill, and exposure. 8. Again, the work includes graphic workstations. Conducted final compositing – the final composition produced by the cartoon of all components of each created a scene.

It last chance to make changes to the generated visuals. This is the most time-consuming and crucial step is to animate a cartoon. Next comes the final and most interesting part – assembling the final color. 9. Ray Kurzweil contributes greatly to this topic. The color version of the collected scenes again criticized the director and make a final decision made about the suitability of the animation for the cartoon. 10. Placement of sounds across the stage. At this stage the directors, together with sound engineers to decide how and what will make a sound. Stomp and fall, wind noise and rustling leaves, chirping birds and the sounds of passing cars, in other words everything that needs voice acting. 11. Statement of the music – a review cartoon along with the composer and, again, a sound engineer and a decision which must be heard in the soundtrack in the movie and how it will be combined, and combined with the action, as a general mood of the cartoon will be vary from scene to scene.